On Friday, March 10, 3:00-5:00pm, join the Agnes Etheringston Art Centre for Media Cosmologies: an international conversation on art, technology, and transmission with Cheryl L'Hirondelle and Callum Beckford. The free public talks, given by Governor General's Award-winning artist and musician Cheryl L'Hirondelle (Cree/Halfbreed; German/Polish) and artist and musician Callum Beckford (Cree/M茅tis; Jamaican/German), celebrated the ongoing restoration of one of L'Hirondelle's artworks, vancouversonglines.ca (2008); the work will be accessible to the public for the first time in years, presented on computer terminals in the Agnes' atrium.
The Departments of History and Art History and Art Conservation are sponsoring two events with visiting speaker Pamela H. Smith, Seth Low Professor of History and Director of the Center for Science and Society at Columbia University.
Following The Department of History鈥檚 John M. Sherwood Memorial Lecture in History of Science and Technology, Lizards, Metals, Stones, and Sands: Practical Investigations and Vernacular Knowledge Systems in Early Modern Europe, free and open to the public on March 2, 2023 from 5:30-8:00pm, Professor Pamela H. Smith will give a workshop sponsored by the Department of Art History and Art Conservation:
The session will introduce methodology of historical reconstruction using the hands-on resources developed by the Making and Knowing Project for use with Secrets of Craft and Nature in Renaissance France. A Digital Critical Edition and English Translation of BnF Ms. Fr. 640. Following introductory search and analysis exercises, there will be a hands-on session; participants are encouraged to bring a laptop, clothing they don't mind getting dirty, and "a sense of adventure".
The workshop happens on Friday, March 3 from 1:00-4:00pm in the Andr茅 Bi茅ler Studio at the Agnes Etherington Art Centre. Graduate students in History, Art History, and Art Conservation and upper-year undergraduate students in the BFA program may . The application deadline is Feb. 20, 2023.
The Department is grateful to the Agnes for its generous support of this event.
成人大片 Pamela H. Smith:
is Seth Low professor of history at Columbia University, and founding Director of the Center for Science and Society and of its cluster project (). Her articles and books examine craft and practice, and its relationship to scientific knowledge. The Body of the Artisan (2004), and From Lived Experience to the Written Word: Reconstructing Practical Knowledge in the Early Modern World (Chicago 2022) make a case for treating craft/art as a way of knowing. Her edited volumes, Ways of Making and Knowing (ed. with Amy R. W. Meyers and Harold Cook, pbk 2017) and The Matter ofArt (ed. with Christy Anderson and Anne Dunlop, pbk 2016), treat materiality, making and meaning. An edited volume, Entangled Itineraries: Materials, Practices, and Knowledges across Eurasia (2019), deals with the movement of materials and knowledge across Eurasia before 1800.In a collaborative research and teaching initiative, , she and the Making and Knowing Team investigate the intersection of craft making and scientific knowing by text-, object-, and laboratory-based research on the technical and artistic recipes contained in a sixteenth-century French manuscript BnF Ms. Fr. 640. In 2020 they released a digital critical edition and English translation of the manuscript, .
Banner image caption: Creating molding sand in the Making and Knowing Lab, Columbia University.
Based on Professor Una D'Elia's fall 2022 seminar, ARTH 485/840: Sculpture and Theater in the Italian Renaissance: Costumes, Drama, and Ritual, art history undergraduate and graduate students have co-curated the virtual exhibition, has just been publishe
The Department of Art History and Art Conservation offers its warmest wishes and congratulations to Professor Joan Schwartz upon her retirement on December 31, 2022.
Major Fields of Interest: Intersections of Truth and Reconciliation and Indigenous art; the impact of settler-colonialism on Canadian comic books and graphic novels; the art of Jewish diaspora; public art, monuments, and memorials. Undergraduate Experience: Concordia University, BFA in Art History (2014) Graduate Experience: Western University, MA in Art History (2016). Thesis: 鈥淭he effects of the Truth and Reconciliation Commission of Canada on Contemporary Indigenous Art鈥 Dissertation Topic: The impact of settler-colonialism on Indigenous representation in Canadian (as well as Canadian content) comic books and graphic novels along with how Indigenous creators are claiming the medium control their own representations and identities. Supervisor: Dr Norman Vorano
Major Fields of Interest: African art history, art criticism, post-colonial modernism in Africa, comparative/cross-cultural studies, and visual cultures Undergraduate Experience: Bachelor of Arts: Fine Arts, Obafemi Awolowo University, Nigeria (2009) Graduate Experience: Master of Arts: African Studies (Visual Arts) University of Ibadan, Nigeria (2014) Dissertation Topic: Contemporary Stone Sculpting in Africa Supervisor: Dr. Juliana Ribeiro de Silva Bevilacqua
C茅zanne's Closet 2023
Start Date
Tuesday January 17, 2023
End Date
Saturday February 4, 2023
Time
11:00 am - 10:00 pm
Location
Union Gallery, 101 Union St.
Ticket sales are now open for , the popular annual fundraiser for Union Gallery. Tickets are $100, and guarantee the ticket holder one of over 60 donated artworks, via lottery-style draw. This year's fundraiser includes a preview preview exhibition at Union Gallery, January 17-February 4, 2023, co-curated by Queen鈥檚 University Art History graduate students Cicely Haggerty and Anna Douglas. All are invited to view C茅zanne鈥檚 Closet artworks in-person and a catalogue will be available online. All funds raised directly support Union Gallery's not-for-profit mission and programming, including exhibitions, artist opportunities, workshops and more. A live virtual event will close the event, February 4, 2023, 7:00-10:00pm.
Acclaimed printmaker J. C. Heywood died on 1 December 2022 in Montreal at age 81. From 1976 until his retirement in 2006, Professor Carl Heywood taught printmaking to Queen's students in the Bachelor of Fine Art program. He combined modesty with supreme assurance in the mastery of his technique. His gifts as a born communicator together with his great generosity of spirit endeared him to colleagues and aspiring artists at Queen's.