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Dr. Sabine Wieber gives her lecture, ""Fashioning Modern Jewish Identity through the Agency of Design in Vienna 1900" on March 6, 2020. This event is part of the Art History Lecture Series.

This lecture is by Ph.D. Candidate Gabrielle Jung from Brown University, and explores the Reorientation of Hangul and the World Order. 

Digital humanities is a rapidly developing field that continues to expand job opportunities in the arts. What is it like to work in this field? Where can you get your start? On Wednesday, October 21st, two leaders in the field will be joining us to answer these questions! 

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Danuta Sierhuis joined Agnes in December [2019] as Digital Development Coordinator. She is working to implement an ambitious project over the next couple of years that will transform the visitor experience in-gallery and online, opening expanded access to our collections, exhibitions and research.

Sierhuis  comes to us from the National Gallery of Canada, where she has been working as a curatorial assistant in Canadian Art. She holds an MA in Art History with a specialization in Digital Humanities from Carleton University, and a diploma in Interactive Media Management from Algonquin College, and has attained a suite of relevant experience in art galleries and archives. Her projects have spanned exhibitions, collections management, digitization, digital humanities projects including online exhibitions, augmented reality publications and 3D models, web design and social media management.

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Kira Wisniewski is the Executive Director of Art+Feminism. She has a can-do attitude and passion for community, capacity building, and the arts with an expertise in non-profit structures, operations, and events. Outside of Art+Feminism, Kira is the host and co-organizer of CreativeMornings/Baltimore, co-founded the non-profit 826DC is an Awesome Foundation Baltimore co-dean, and volunteers with Fluid Movement and Special Olympics DC.

"Art+Feminism is an intersectional feminist non-profit organization that directly addresses the information gap about gender, feminism, and the arts on the internet. Our work is centered on building an equitable global community striving to close the gaps in content and editorial representation on Wikipedia, ensuring that the histories of our lives and work are accessible and accurate.

This event is part of the Art for Social Change Speaker Series.

Morehshin Allahyari (Persian: موره شین اللهیاری‎;) is an Iranian-Kurdish media artist, activist, and writer based in Brooklyn, New York, who uses computer modeling, 3D scanning, and digital fabrication techniques to explore the intersection of art and activism. Inspired by concepts of collective archiving and cultural contradiction, Allahyari’s 3D-printed sculptures and videos challenge social and gender norms. Her work has been part of numerous exhibitions, festivals, and workshops throughout the world, including the New Museum, MoMa, Centre Pompidou, Venice Biennale di Archittectura, and Museum für Angewandte Kunst among many others. She is the recipient of The Joan Mitchell Foundation Painters & Sculptors Grant (2019), The Sundance Institute New Frontier International Fellowship, and the leading global thinkers of 2016 award by Foreign Policy magazine. Her 3D Additivist Manifesto video is in the collection of San Francisco Museum of Modern Art, and recently she has been awarded major commissions by The Shed, Rhizome, New Museum, Whitney Museum of American Art, Liverpool Biennale, and FACT.

This event is co-presented with the PADP, part of the Art for Social Change Speaker Series.

David Rokeby is an internationally renowned new media, electronic, video, and installation artist who has been exploring human relationships with digital machines for 35 years, starting with Very Nervous System in 1982. His interests have ranged from the issues of digital surveillance in such works as Watch (1995), Guardian Angel (2002) and Sorting daemon (2003) to critical examination of the differences between the human and artificial intelligence (e.g. The giver of Names, 1991; and n—cha(n)t, 2001).  

He is a recipient of a Governor General’s Award in Visual and Media Arts (Canada), a Prix Ars Electronica Golden Nica for Interactive Art (Austria), and a “BAFTA” award (U.K).  

In his art and publications, Rokeby has explored the social, political, and psychological challenges posed by emerging technologies, and conversely, how these can be used to expand the dialogue about what it means to be human in our contemporary world.  

In this talk, he will discuss his work at the intersection of art and computing with a focus on AI.

Are you interested in a career in arts and culture but don’t know where to start? A Master’s in Art History opens doors to exciting opportunities in curatorial work, cultural heritage, cultural policy, museum programming and education, digital humanities, journalism, design, law, and many other fields.  

Join us for a webinar on Wednesday, December 9 from 1:30- 2:30pm to learn more about the Art History Master’s Program at Queen’s University. Following brief presentations by professors and alumni, we will answer any questions you have about the program, application process, and opportunities that may be available to you after graduation. 

A warm welcome to Professor Alison Matthews David, Ryerson University, who will be delivering the keynote lecture at the 2021 "Context and Meaning" graduate student conference. This year's conference will focus on "Art and Crime".

In conjunction with the Nordic Museum in Seattle’s exhibition of Munch Photographs, Dr. Morehead’s talk on January 21 examines Edvard Munch in the Clinic, 1908-09. Edvard Munch recorded his stay at a private nerve clinic in Copenhagen (1908–09) in numerous photographs, representing himself laid out for a bath, but also dressed and "at work." He photographed, sketched, and painted the clinic's doctor, as well as the nurses, care-workers, and patients who populated his world during his months-long rest cure. This talk explores the world of the clinic through Munch's work, revealing not only one artist's experience, but also a new kind of medical institution for caring and curing.