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Each year, the Principal’s Dream Courses fund a number of course proposals tied to key themes, such as Indigenous knowledge, sustainability, and diversity and inclusion.

The selected courses will be taught for at least two iterations and each has access to up to $15,000 in one-time funding for teaching materials, field trips, and guest speakers. Faculty members will also receive course development assistance from the Centre for Teaching and Learning.

“The Principal’s Dream Courses support our ongoing efforts to make Queen’s a more inclusive, diverse, and welcoming institution, and a place that values, reflects, and shares Indigenous histories and perspectives,” says Principal and Vice-Chancellor Daniel Woolf. “At the same time, the program asks faculty members to be creative and to consider what they’ve always wanted to teach. I am certain that each of these new and innovative courses will provide students with an exceptional and memorable learning experience.”

The winning courses are:
DEVS 221: Topics in Indigenous Human Ecology
T'hohahoken Michael Doxtater (Global and Development Studies, Languages, Literatures, and Culture), Queen’s National Scholar in Indigenous Studies: Land- and Language-Based Pedagogies and Practices

A redesign of the popular DEVS 221 course, Topics in Indigenous Human Ecology (TIHE) reevaluates conventional knowledge based on Indigenous knowledge, worldview, and culture. The course will introduce an Indigenous perspective on contemporary issues. Content and activities will provide detailed examinations of specific topics such as contemporary issues in Indigenous healing and wellness, art, teaching, and learning, socio-political life. Course activities include deep, collaborative inquiry-based learning, use of multimedia tools, and access to Indigenous subject matter expert coaches. Students will participate in four high-quality ‘TED Talk’ style presentations on topics related to course content and will summarize the talks using animation software.

PHIL 276: Critical Perspectives on Social Diversity
Lisa Guenther (Philosophy, Cultural Studies), Queen's National Scholar in Political Philosophy and Critical Prison Studies

The starting point of this course is Indigenous scholar Eve Tuck’s call to suspend “damage-centered research” that relies on pain and injury for its theory of change, and to cultivate a “desire-based research” that affirms the “complexity, contradiction, and the self-determination of lived lives.”  The course will develop a critical toolkit of concepts and methods for desire-based research on race, class, gender, sexuality, and disability, in conversation with primary texts and theoretical reflections on recent social movements such as Occupy, Black Lives Matter, Idle No More, #MeToo, and movements for queer and trans liberation, disability rights, prison abolition, and radical ecology. Students will work in active-learning groups to create a collective project on a specific social movement, and will also be guided through an inquiry-based process to develop their own individual research paper. Scholar-activists Eve Tuck, José Medina, and Keeanga-Yamahtta Taylor will be invited to campus to share their perspectives with students.

MUTH 329: Listening Otherwise
Dylan Robinson (Dan School of Drama and Music, Gender Studies, Global Development Studies, Cultural Studies, Languages, Literatures & Cultures, Art History) Canada Research Chair in Indigenous Arts

We listen every day, every moment, yet often do not consider the ways in which this form of perception is guided by factors including gender, sexuality, race, class, and ability (i.e. our individual positionality). MUTH 329 – Listening Otherwise considers the particular ways in which listening takes place in different settings (the concert hall, gallery, and urban and domestic spaces), and is influenced not only by cultural and gendered norms, but also by values of the institutions we are part of and the nation states we live within. The course is envisioned as a kind of “listening lab” in which we will experiment with different practices of listening. Students will have the opportunity to explore new ways of listening to music (recorded and live performance), of listening to place (as a ‘visitor/guest’ or when ‘at home’), and reconsider the political stakes of listening. The course will benefit from learning from a wide range of visiting artists, musicians, and scholars who will share their work with the class. We will listen to multiple genres of music, sound art and places themselves as we ask how the body listens “beyond the ear.”

The Principal’s Dream Course program is administered by the Centre for Teaching and Learning – learn more about it on .

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Queen’s University is committed to creating a campus environment that is more inclusive, diverse and welcoming. In the past year, Queen’s has received final reports from the and the Recent developments in support of these efforts include expanding Deputy Provost Teri Shearer’s profile to cover the diversity and inclusion portfolio, establishing the University Council on Anti-Racism and Equity (UCARE), instituting the Office of Indigenous Initiatives and appointing Kanonhsyonne (Janice Hill) as the first Director of Indigenous Initiatives, as well as having all areas of the university develop and implement their own plans for addressing the TRC and PICRDI recommendations.

* An earlier version of this article had the wrong course number for MUTH 329 – Listening Otherwise. Information about the course has also been updated.