Rachel M. Friars is a Doctoral Candidate in the Department of English Language and Literature at Queen鈥檚 University in Kingston, Ontario, Canada. Her current work centers on neo-Victorianism and nineteenth-century lesbian literature and history, with secondary research interests in life writing, historical fiction, true crime, and the Gothic. Her work on lesbian historical fiction has been published with with Palgrave Macmillan, The Journal of Neo-Victorian Studies, Lexington Books, Crime Studies Journal, Queer Studies in Media and Popular Culture, and is forthcoming in The Palgrave Handbook of neo-Victorianism.
Neo-Victorianism, Victorianism, Lesbian literature and history
Articles (Peer-reviewed)
[Forthcoming] 鈥溾赌榃hite snakes of sea-foam鈥: Coastal Space and the Lesbian Gothic in Emily M. Danforth鈥檚 Plain Bad Heroines.鈥 Coastal Gothic, edited by Emily Alder, Jimmy Packham, and Joan Passey. University of Wales Press, 2023.
[Forthcoming] 鈥溾赌楳y heart is a hand reaching鈥: Lesbian Yearning and Queer Futurity in the neo- Victorian Novel.鈥 Victorian Popular Fictions Journal Special Issue: Re-Articulating 鈥楾he Third Sex鈥: Victorian and neo-Victorian Engagements with LGBTQIA+, edited by Helena Esser, Mollie Clarke, Claire O鈥機allaghan. 2023.
[Forthcoming] 鈥溾赌楬istory digs a shallow grave鈥: Queer Temporality in Emily M. Danforth鈥檚 Lesbian Gothic.鈥 Studies in the Novel, Spring 2023.
[Forthcoming] with Connor E.R. DeMerchant. 鈥淣eo-Victorian Queen Victoria.鈥 The Palgrave Handbook of Neo-Victorian Studies. Edited by Sarah E. Maier and Brenda Ayres. Palgrave Macmillan, 2023.
[Forthcoming]. 鈥淭he Lesbian Neo-Victorian Novel.鈥 The Palgrave Handbook of neo-Victorian Studies. Edited by Sarah E. Maier and Brenda Ayres. Palgrave Macmillan, 2023.
with Jesyka Traynor. 鈥溾赌楧ogged, Insightful, and Humane鈥: Writing Women鈥檚 Lives in Twenty-First-Century True Crime.鈥 Crime Fiction Studies, vol. 3, no. 1, 2022, pp. 10鈥25.
鈥溾赌楾he curiosity with which that fist moves鈥: Lesbian Erotics in Sarah Waters鈥檚 Tipping the Velvet and Emma Donoghue鈥檚 Frog Music.鈥 Queer Studies in Media & Popular Culture, vol. 6, no. 3, 2021, pp. 217鈥232.
with Sarah E. Maier. 鈥Mashing it Up: Recasting Power in the (Neo-)Victorian Penny Dreadful.鈥 Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality in Gothic Storytelling. Edited by Natalie Neill. Lexington Books, 2021, pp. 55-72.
with Sarah E. Maier. 鈥淪toically Sapphic: Gentlemanly Encryption and Disruptive Legibility in Adapting Anne Lister.鈥 The Journal of Neo-Victorian Studies, vol. 13, no. 1, 2020, pp. 125鈥152.
with Brenda Ayres. 鈥溾赌榃e should go mad鈥: The Madwoman and her Nurse.鈥 Neo-Victorian Madness: Revising Nineteenth-Century Mental Illness in Literature, Television, and Film. Edited by Brenda Ayres and Sarah E. Maier, Palgrave Macmillan, 2020, pp. 49鈥72.
In Progress:
[Under Contract] 鈥溾赌榊ou鈥檙e not the stuff of a chapter鈥: Queer Life and Women鈥檚 Activism in Biofictions by Emma Donoghue.鈥 The neo-Victorian and the Late-Victorian, edited by Victoria Margree, Deborah Madden, and Aris Mousoutzanis. Routledge, 2024.
Creative Periodicals
The Lamp, vol. 13, no. 1, Queen鈥檚 University, 2023.
The Lamp, vol. 12, no. 1, Queen鈥檚 University, 2022.
Vox, vol. 16, no. 1, The University of New Brunswick, 2018.
Vox, vol. 15, no. 1, The University of New Brunswick, 2018.
Poetry and Short Fiction
鈥淐hapter One: Shadows and Sentimentality.鈥 The Lamp, vol. 10, no. 1, 2020, pp. 11.
鈥淢aking Beds With Water.鈥 The Lamp, vol. 10, no. 1, 2020, pp. 66-72.
鈥淎耻驳耻蝉迟.鈥 The Lamp, vol. 10, no. 1, 2020, pp. 43.
鈥淢arigolds and Honey.鈥 A Peek in the Attic, vol. 1, no. 1, 2019, n.p.
鈥淐hapter Three: Wounds.鈥 The Lamp, vol. 9, no. 1, 2019, n.p.
鈥淭he Dark Between Trees.鈥 The Lamp, vol. 9, no. 1, 2019, n.p.
鈥淭he Honey Gatherers.鈥 The Lamp, vol. 9, no. 1, 2019, n.p.
鈥淎fter Sonnet 29.鈥 Distortion, vol. 1, no. 1, 2018, pp. 19.
鈥淧ennywise & Patriarchy.鈥 Distortion, vol. 1, no. 1, 2018, pp. 2-3.
鈥淪ingle White Female.鈥 Vox, vol. 16, no. 1, 2018, pp. 36.
鈥1975.鈥 Vox, vol. 16, no. 1, 2018, pp. 24.
鈥淭he Holes Underneath.鈥 Vox, vol. 16, no. 1, 2018, pp. 46-49.
鈥淣ine Hearts.鈥 The Fog Lit Journal, vol. 4, no. 1, 2017, pp. 44-49.
鈥淭he Great Puzzle.鈥 Vox, vol. 15, no. 1, 2017, pp. 53-58.
鈥淎ccidental Clarity.鈥 Vox, vol. 15, no. 1, 2017, pp. 25-31.
鈥10 Things my Grandmother Taught Me.鈥 Vox, vol. 15, no. 1, 2017, pp. 62.
鈥淭he Red Haired Man.鈥 The Fog Lit Journal, vol. 3, no. 1, 2016, pp. 45-51.
鈥淩ural Affairs.鈥 Vox vol. 14, no. 1, 2016, pp. 34-36.
鈥淢补谤颈别.鈥 Vox vol. 14, no. 1, 2016, pp. 28-31.
鈥淭he Third Man.鈥 Vox, vol. 13, no. 1, 2015, pp. 15-21.
Public Articles
鈥#AcademicTwitter: Research Communities and Pandemic Networking.鈥 The Angle Newsletter. ACCUTE.
鈥溾赌.鈥PopMeC Research, 18 November 2021.
鈥溾赌.鈥 The Journal of Victorian Culture Online, 6 August 2021.
Dissertation Title: An exclusively female ensemble: Neo-Victorian lesbian media and nineteenth-century queer narratives.
My doctoral dissertation will analyze the ways in which neo-Victorian lesbian media chronicles silences and misconceptions in the Victorian era regarding female homosexuality in literature and film from the last thirty years. I intend to explore the ambition behind creating art objects that place lesbian women in Victorian settings.
Current Positions:
2022/01 - Present Founder/President, Queer Studies Association of Canada
2020/10 - Present Co-Editor-in-Chief, The Lamp Literary Journal
2020/08 - Present Co-Editor-In-Chief, True Crime Index
2020/08 - Present Freelance Writer, The Lesbrary
Conferences:
05/2023 "'The flesh made word': Lesbian Neo-Victorian Pornography in Heather O鈥橬eill鈥檚 When We Lost Our Heads." ACCUTE.
05/2023 Panel Organizer/Panel Chair. 鈥淟ife Writing as Queer Testimony.鈥 ACCUTE & The Queer Studies
Association of Canada. York University.
02/2023 鈥溾赌楢m I anywhere in there?鈥: Conflicting Archives in The World to Come.鈥 Historical Fictions Research Network Conference, online.
11/2022 鈥溾淚 will tell you my story鈥: Narrative Agency and Vampiric Autonomy in Young Adult Retellings of Carmilla.鈥 Recovering the Vampire, online.
11/2022 鈥溾赌楽omeone else鈥檚 tragedy鈥: True Crime and Memoir in the Golden State Killer Trilogy.鈥 Framing (Serial) Killing: Changing Narratives, online.
10/2022 鈥溾赌業nduced by the demon鈥檚 lips鈥: Vampiric Orality and the Lesbian Mouth in Le Fanu鈥檚 Carmilla.鈥Northeast Popular & American Culture Association Conference, online.
05/2022 鈥淎 cruelty of nature鈥: American Landscape and the Lesbian Gothic.鈥 ACCUTE.
05/2022 鈥溾赌楶ulled into elsewhere, or perhaps nowhere鈥: Erotohistoriography and the Lesbian Gothic.鈥 ACCUTE.
03/2022 鈥溾赌楢 real queer fish鈥: Erotic Consumption in Sarah Waters鈥檚 Tipping the Velvet and Emma Donoghue鈥檚 Frog Music.鈥 Outsiders: Making Space at the Queer Intersections of Sex and Gender, University of Brighton.
02/2022 鈥溾赌業 say you do not have a name鈥: Queering Dracula鈥檚 Brides in S.T. Gibson鈥檚 A Dowry of Blood.鈥 Gothic Trajectories, online.
02/2022 鈥溾赌楢 kindling, a fascination, a yearning鈥: Female Friendship, Marriage, and Queer Communities in Biofictions by Emma Donoghue.鈥 The Historical Fictions Research Network, online.
12/2021 鈥溾赌楬istory digs a shallow grave鈥: Temporal Boundaries in the neo-Victorian Lesbian Gothic in Emily M. Danforth鈥檚 Plain Bad Heroines.鈥 Queer Temporalities Conference, University of Murcia, Spain.
09/2021 鈥溾赌榊ou鈥檙e not the stuff of a chapter鈥: Queer Life and Women鈥檚 Activism in Biofictions by Emma Donoghue.鈥 The Neo-Victorian and the Late-Victorian: Texts, Media, Politics, The University of Brighton, UK.
07/2021 Panel Organizer/Panel Chair. 鈥溾赌楽peaking of my oddity鈥: Inclusive Spaces in Nineteenth-Century Women鈥檚 Life Writing.鈥 Victorian Popular Fiction Association Annual Conference.
05/ 2021 鈥溾赌楾he curiosity with which that fist moves鈥: Lesbian Vaginal Fisting in the Novels of Emma Donoghue and Sarah Waters.鈥 ACCUTE.
04/2021 Moderator. 鈥淐lass and Social Stratification.鈥 Victorian Pasts, Presents, and Futures, 04/2021. Carroll University, Waukesha, Wisconsin.
04/2021 Moderator. 鈥淎esthetic Elements: Art and Fashion.鈥 Victorian Pasts, Presents, and Futures. Carroll University, Waukesha, Wisconsin.
043/2021 Panel Chair, Victorianism. Queen鈥檚 Undergraduate Conference in Literature. Queen鈥檚 University, Kingston, Ontario.
02/2021 鈥淲hite snakes of sea-foam鈥: Coastal Boundaries and Lesbian Spectrality in Emily M. Danforth鈥檚 Plain Bad Heroines.鈥 Haunted Shores: Coastlands, Coastal Waters and the Littoral Gothic, online.
03/2019 鈥淕od fearing, drug hating, laudanum swilling Victorian England:鈥 The Neo-Victorian Opium Eater in Philip Pullman鈥檚 The Ruby in the Smoke.鈥 The Age of Anxiety: Literary Studies in a Culture of Risk, Graduate Conference.
04/2018 鈥淭he Phantom Around the Corner: The Victorian 鈥極ther鈥 in Wilkie Collins鈥 The Moonstone and Charles Dickens鈥 Oliver Twist.鈥 Arts Matters, UNB Fredericton.
03/2017 鈥淢补谤颈别.鈥 鈥淩ural Affairs.鈥 Atlantic Arts Undergraduate English Conference.
Invited Talks
02/2023 鈥淭he Lesbian Gothic Novel.鈥 ENGL 451: The Nineteenth-Century Gothic, Queen鈥檚 University. (Renumerated Talk).
12/2022 鈥淭raps, Trauma, and the Locked Door: Bluebeard in the 21st Century.鈥 Romancing the Gothic, Public Talk, Online,12/2022.
05/2021 鈥溾赌業 never knew that there were girls like her鈥: Locating the (neo)Victorian Lesbian.鈥 Special Topics Presentation. Queen鈥檚 University Department of English Language and Literature.
04/2021 Keynote Speaker. 鈥溾赌楲ike a lovely corpse鈥: The Zombic Fallen Woman in Victorian Art and Literature.鈥 Keynote Address. Undergraduate Conference. Carroll University, Waukesha, Wisconsin.