The art of observation

Pat Sullivan discusses the art of observation with three students

Photo by Bernard Clark

In this issue, students and professors explore the paintings from The Bader Collection on display at the exhibition Singular Figures: Portraits and Character Studies in Northern Baroque Painting.

The average viewer in a gallery looks at a painting for about seven seconds. In a workshop pioneered for occupational therapy students at Queen鈥檚, participants study each painting for 10 minutes. Using only visual evidence, they test their observational skills and then examine their biases. it鈥檚 all part of a strategy to prepare them to assess clinical situations in the workplace.

鈥淎rt is such a good vehicle for developing observational skills,鈥 says Pat Sullivan, the public programs manager for the . She has conducted the workshop in collaboration with Danielle Naumann, an occupational therapist and PhD student in Rehabilitation Science, for the last few years. 鈥淲hen you take a few moments to sit and look carefully at a painting you haven鈥檛 seen before, you pick up a lot more than you would imagine.鈥

We invited three students who hadn鈥檛 been into the gallery before to participate in a mini-workshop with Sullivan and Naumann. They studied Portrait of Five Sisters (Jan Albertsz. Rootius, c.1655), and practised articulating their objective observations of the painting.

鈥淚 see sadness.鈥

鈥淵ou鈥檙e interpreting sadness,鈥 coaches Naumann. 鈥淏ut what you actually see are faces that are not smiling.鈥

Now the observations come more quickly.

鈥淚 see bags under the girl鈥檚 eyes.鈥

鈥淭heir faces are wrinkled in a way.鈥

鈥淚 see a girl wearing a gold bracelet.鈥

鈥淚 see the beads on her dress.鈥

After taking inventory of what they see in the painting, the students then change from 鈥淚 see鈥 statements to 鈥淚 think鈥 statements.

鈥淚 think they aren鈥檛 smiling because it takes more muscles to smile than to maintain a neutral expression,鈥 says engineering student Tanis Worthy, thinking about how long the children would have had to stay still for a portrait session.

The students explore their own reactions and interpretations, gain insight into other perspectives and, in doing so, broaden their own.

鈥淭his is an invaluable tool for occupational therapists and others who make clinical decisions in groups,鈥 says Naumann.

  • Tanis Worthy, Sc'16, Jennifer Williams, Artsci鈥16, and Heather Evans, Com鈥16, share their observations of Portrait of Five Sisters with Danielle Naumann.

    Photo by Bernard Clark

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