Shortlisted image /research/taxonomy/term/564/all en Coded, I Am /research/photos/coded-i-am <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Stéfy McKnight</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">&quot;Coded, I Am&quot; is part of a larger research creation project that looks at preemptive surveillance strategies in North America. It is a self-portrait of an artist immersed in tattoo QR codes. The QR codes – when scanned – direct the viewer to Google Earth images of CSIS and NSA intelligence sites. The photograph not only shows an artist absorbed by her research, but it is a representation of how users rely on third party sites such as Google Earth in their everyday lives, regardless of the risk of data mining and surveillance. The codes shift the surveillance gaze by giving viewers the tools to look at the institutions that are normally doing the ‘surveilling’.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Kingston, Ontario</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2015-16</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/McKnight2015_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="3956" alt="Coded, I Am" title="Coded, I Am" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/McKnight2015_2560.jpg" width="2560" height="3956" alt="Coded, I Am" title="Coded, I Am" /></noscript></div></div></div> Tue, 02 Oct 2018 20:03:50 +0000 stratg 143 at /research Borders. What borders? /research/photos/borders-what-borders <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">John McGarry</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">The iconic Turkish Cypriot leader, Rauf Denktash, once remarked that “the only thing Cypriot is the donkey”. He wanted to underline that Cyprus was permanently divided between Turkish Cypriots and Greek Cypriots. He was wrong of course, as this photo from Cyprus’s Apostolos Andreas Monastery shows. There are also &#039;lots&#039; of Cypriot cats who can wander freely between the Turkish and Greek zones in spite of the barbed wire and thousands of armed soldiers. These are “vanguard felines”. My work on power-sharing in Cyprus is aimed at helping their two-legged counterparts to follow in their wake.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Apostolos Andreas Monastery, North-east Cyprus</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2015-16</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/McGarry2015_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1920" alt="Borders. What borders?" title="Borders. What borders?" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/McGarry2015_2560.jpg" width="2560" height="1920" alt="Borders. What borders?" title="Borders. What borders?" /></noscript></div></div></div> Tue, 02 Oct 2018 19:59:41 +0000 stratg 142 at /research Leaving home /research/photos/leaving-home <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Eric Y Lian</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">My focus is cancer cell invasion and migration. This spheroid of cells is embedded in a 3D protein matrix and fluorescently stained for 3 proteins. Individual cells can be seen radiating away on all sides. The cells use integrin (red) and actin (green) to pull on the protein matrix and move, while cadherin (blue), binds and holds cells together within the spheroid. Cadherin normally holds clumps of cells together and allows them to form structures such as tissues and organs. This picture shows how invading cells lose their cadherin and express large amounts of integrin and actin, and it demonstrates some of the protein expression changes that cancer cells undergo which allow them to invade away from a tumour.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">A microscope slide</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2015-16</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Lian2015_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1918" alt="Leaving home" title="Leaving home" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Lian2015_2560.jpg" width="2560" height="1918" alt="Leaving home" title="Leaving home" /></noscript></div></div></div> Tue, 02 Oct 2018 19:58:17 +0000 stratg 141 at /research Buried Alive /research/photos/buried-alive <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Melanie Jansen</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">This photo was taken during my fieldwork, 2.5km underground in a platinum mine owned by Impala Platinum in Rustenburg, South Africa. Rather than a unique depiction, this photo is representative of the industry as a whole. It demonstrates the harsh realities mine workers face, subject to social, environmental, and economic challenges. Day-shift workers may spend up to six months at a time without ever seeing sunlight, their lives literally passing them by. Few opportunities exist for these men and women to break free of the dark, unforgiving platinum industry. The “X” is symbolic of this eventual cause of death, either directly or indirectly.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Impala Platinum Mine, Shaft #14, Rustenburg, South Africa</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2015-16</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Jansen2015_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="2130" alt="Buried Alive" title="Buried Alive" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Jansen2015_2560.jpg" width="2560" height="2130" alt="Buried Alive" title="Buried Alive" /></noscript></div></div></div> Tue, 02 Oct 2018 19:57:11 +0000 stratg 140 at /research The Last Tree /research/photos/last-tree <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Courtenay Jacklin</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">CCNF15: Clear Creek North Forest #15, otherwise known as the last tree. After three summers of field work and countless hours spent hiking to various study sites situated in the Kluane Region of the Yukon, Katherine finally takes the last tree core she will need to complete her project analyzing alpine vegetation dynamics. Using an increment borer to drill a small hole near the base of each tree, Katherine extracts a core which we store inside straws until returning to the lab. The annual growth rings along each core can be measured to gather information on growth and climate.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Southwest Yukon</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2015-16</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Jacklin2015_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1920" alt="The Last Tree" title="The Last Tree" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Jacklin2015_2560.jpg" width="2560" height="1920" alt="The Last Tree" title="The Last Tree" /></noscript></div></div></div> Tue, 02 Oct 2018 19:55:39 +0000 stratg 139 at /research At a Snail’s Pace /research/photos/snail-s-pace <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Alamjeet Kaur Chauhan</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">This is a picture of the sea snail, Aplysia californica or California sea hare, which is widely used to examine how the activity of nerve cells evokes fundamental behaviours. I study how cation channels, which are specialized proteins that form pores allowing charged molecules in and out of the nerve cell, influence cellular activity. I use electrophysiology and molecular biology to study the reproductive behavior of Aplysia. My research is focused on studying the effects of reactive oxygen species on cation channels, which dictate reproduction in bag cell neurons of the snail.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Botterell Hall, Queen&#039;s University</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2015-16</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Chauhan2015_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1706" alt="At a Snail’s Pace" title="At a Snail’s Pace" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Chauhan2015_2560.jpg" width="2560" height="1706" alt="At a Snail’s Pace" title="At a Snail’s Pace" /></noscript></div></div></div> Tue, 02 Oct 2018 19:51:50 +0000 stratg 138 at /research “Non-wetting” Water /research/photos/non-wetting-water <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Timothy Hutama</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">This drop sits on a super-hydrophobic surface that is unable to become wet because its affinity to water is less than what water has for itself. Therefore, water forms small, easily movable drops on the surface rather than a single puddle. While these surfaces have been used to keep cities free from graffiti, the Oleschuk group’s research involves using these surfaces in creative ways, such as the determination of beer’s alcohol content or to provide a platform that uniquely manipulates drops using magnets to miniaturize analytical chemical methods.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Chernoff Hall, Queen&#039;s University</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2016-17</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Hutama2016_1400.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="1400" height="934" alt="“Non-wetting” Water" title="“Non-wetting” Water" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Hutama2016_1400.jpg" width="1400" height="934" alt="“Non-wetting” Water" title="“Non-wetting” Water" /></noscript></div></div></div> Mon, 01 Oct 2018 20:46:15 +0000 stratg 133 at /research Magdalene /research/photos/magdalene <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Una D’Elia</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">For over 550 years, the passionate Magdalene has been running with her veil streaming behind, screaming, to the body of Jesus, dead on the ground. This life-size statue, originally painted to mimic flesh and clothes, pushes the limits of the medium, terracotta. Renaissance men and women could walk among Niccolo dell’Arca’s sculptures, feeling as if they were present at this terrible moment in Christian history. Dr. Una D’Elia’s research focuses on such living sculptures, stories of statues coming to life, and people touching, dressing, attacking, and generally treating sculptures as if they were alive. </div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Church of Santa Maria della Vita, Bologna</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2016-17</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/D%27Elia2016_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1707" alt="Magdalene" title="Magdalene" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/D%27Elia2016_2560.jpg" width="2560" height="1707" alt="Magdalene" title="Magdalene" /></noscript></div></div></div> Mon, 01 Oct 2018 20:44:50 +0000 stratg 132 at /research Polypyrrole /research/photos/polypyrrole <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Danesh Roudini</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">The film morphology of electrochemically synthesized conducting polymers is widely dependent on electropolymerisation conditions. Some factors, like type of anions, solvent, and deposition rate, have a great influence on the final polymer quality and morphology. The SEM image shows electrochemically synthesized polypyrrole film on platinum electrode. Polypyrrole has high electrical conductivity and good environmental stability and has potential applications such as sensors, electrodes for rechargeable batteries, corrosion-protecting materials, electrochromic devices, and membranes.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Kingston University, UK</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2016-17</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Roudini2016_1400_.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="1400" height="1050" alt="Polypyrrole" title="Polypyrrole" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Roudini2016_1400_.jpg" width="1400" height="1050" alt="Polypyrrole" title="Polypyrrole" /></noscript></div></div></div> Mon, 01 Oct 2018 20:43:36 +0000 stratg 131 at /research Phantasie Ist Alles /research/photos/phantasie-ist-alles <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Julia Partington</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">Although I am an English major, I also study other languages and was fascinated by this piece of graffiti that I found on Museum Island in Berlin. Translated from German to English, it says, “Imagination is everything, it is the preview to the coming events of life.” This was said by Albert Einstein, and while his discipline is physics, different from mine, we both see the beauty of creativity. His creativity is in the stars, and mine is in language and literature. Arts and science are bound together in this short expression. A treasure waiting on Museum Island for me to embrace and understand.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Museum Island, Berlin, Germany</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2016-17</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Partington2016_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1920" alt="Phantasie Ist Alles" title="Phantasie Ist Alles" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Partington2016_2560.jpg" width="2560" height="1920" alt="Phantasie Ist Alles" title="Phantasie Ist Alles" /></noscript></div></div></div> Mon, 01 Oct 2018 20:41:56 +0000 stratg 130 at /research 5000m High Sunset in the Andes /research/photos/5000m-high-sunset-andes <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Chris Grooms</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">Lake Sibinacocha is the 22nd highest lake in the world. Storms from the Amazon push up over the mountains, depositing snow on icecaps feeding high elevation lakes. Andean societies are among the most vulnerable to the impacts of climatic change on freshwater systems. Climate change will exacerbate water quality and quantity problems affecting millions of people. Warming in the Andes is occurring at rates nearly twice the global average. The effects on Andean lakes and ecosystems remain largely unknown, despite their importance to people and biodiversity. The objective of Grooms’s research is to assess the impacts of climate change on lakes.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Lake Sibinacocha, Cusco, Peru</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2016-17</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Grooms2016_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1920" alt="5000m High Sunset in the Andes" title="5000m High Sunset in the Andes" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Grooms2016_2560.jpg" width="2560" height="1920" alt="5000m High Sunset in the Andes" title="5000m High Sunset in the Andes" /></noscript></div></div></div> Mon, 01 Oct 2018 20:40:40 +0000 stratg 129 at /research Evelyn Mitchell and her “Burler” /research/photos/evelyn-mitchell-and-her-burler <div class="field field-name-field-photographer-s-name field-type-text field-label-hidden"><div class="field-items"><div class="field-item even">Laura Murray</div></div></div><div class="field field-name-body field-type-text-with-summary field-label-hidden"><div class="field-items"><div class="field-item even" property="content:encoded">Through oral history and archival research, the Swamp Ward and Inner Harbour History Project is revealing the twentieth-century history of two of the oldest neighbourhoods in Kingston, Ontario. Evelyn Mitchell worked at Hield Brothers Woolen Mill in the 1950s when she first arrived in Kingston from Yorkshire. In her interview, she describes in great detail the process by which she did “invisible mending” on the cloth coming out of the looms, picking out and pushing through loose threads. Here she displays the tool she used, a “burler,” which she has saved to this day.</div></div></div><div class="field field-name-field-location field-type-text field-label-above"><div class="field-label">Location of photograph:&nbsp;</div><div class="field-items"><div class="field-item even">Kingston, Ontario</div></div></div><div class="field field-name-field-prize-name field-type-taxonomy-term-reference field-label-above"><div class="field-label">Prize name:&nbsp;</div><div class="field-items"><div class="field-item even">Shortlisted image</div></div></div><div class="field field-name-field-year-of-entry field-type-list-text field-label-above"><div class="field-label">Submission Year:&nbsp;</div><div class="field-items"><div class="field-item even">2016-17</div></div></div><div class="field field-name-field-photo field-type-image field-label-hidden"><div class="field-items"><div class="field-item even"><img typeof="foaf:Image" data-echo="/research/sites/default/files/Murray2016_2560.jpg" data-icon="" src="/research/sites/all/modules/contrib/lazyloader/image_placeholder.gif" width="2560" height="1920" alt="Evelyn Mitchell and her “Burler”" title="Evelyn Mitchell and her “Burler”" /><noscript><img typeof="foaf:Image" src="/research/sites/default/files/Murray2016_2560.jpg" width="2560" height="1920" alt="Evelyn Mitchell and her “Burler”" title="Evelyn Mitchell and her “Burler”" /></noscript></div></div></div> Mon, 01 Oct 2018 20:39:30 +0000 stratg 128 at /research