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Under the heat of the lights, covered in a stranger’s clothes, surrounded by the sights and sounds of the stage – this is when the actor’s transformation comes to life. During Theatre Kingston’s production of Jordan Tannahill’s Concord Floral, the audience and actors are seated inside an abandoned greenhouse – or at least, a stage mimicking a greenhouse through set design by Sean Mulcahy and lighting by Jennifer Lennon. As both an actor and an assistant director in this production, Naseem’s research focuses on costume, lighting, set and staging, and their transformative effects on the actor’s experience as they become a character.